#Mad max fury road motorcycles movie

This freak, part gimp, part fallen highway patrolman (his leather suit seems to match MaxвЂ™s to some degree), quickly turns his head as a motorcycle speeds past him. Clearly this world has gotten much weirder since the first Mad Max film, where simple biker gangs were the chief threat. That skull speaks volumes about these guys, and as the sound of their engines kick in we go inside one of the cars and see its driver. Composer Brian MayвЂ™s score takes a percussive tack here, trumpeting the unforgiving march of a pair of dusty, modified ragtag vehicles in hot pursuit, one of which bears a skull for a hood ornament. Smart dog, he also notices something is coming up from behind, and weвЂ™re already rooting for him just as we are for Max. Speaking of which, the camera pans left as we glimpseвЂ¦ something on the horizon. Max seeks companionship on some level, friendship, proving that he is still вЂњhumanвЂќ - something which we will not be able to say about many of the characters he meets on the road.

The next shot is back to Max, who we see has acquired a friend since the last film: an Australian Cattle Dog, which we will later learn is named simply вЂњDog.вЂќ In fact, DogвЂ™s very presence tells us much about Max as a character despite the nomadic, blank life we find him in here, he is still able to make a connection with the animal. At the same time, that road seemingly stretches to an infinite emptiness, not unlike the battered and scarred MaxвЂ™s own existence.

Miller is also conveying to us here the predominance in this world of the roads and cars, as if theyвЂ™re extensions of the human being now - youвЂ™re basically dead without one. A textbook Miller shot which he also utilized in Mad Max 1 and which emphasizes the speed at which weвЂ™re moving. This low-angle is seemingly what MaxвЂ™s car is seeing - from the grillвЂ™s perspective - tearing it up along the deserted Wasteland road. Miller and his DP, Dean Semler, now go into glorious widescreen - cutting suddenly to a POV shot, though not necessarily Max's. YES NOThe camera then pulls out from the darkness of the car's supercharger to reveal Max - more worn down since we last saw him in Mad Max. LetвЂ™s watch the scene before we discuss it: Keep that in mind as you consider the amount of information Miller conveys here.

Oh, and by the way, the number of words spoken in this entire scene? Zero. Mad Max II) and dissect what exactly makes it tick, what it tells us about Max and his world, and how Miller uses action and visuals to tell his story. With that in mind, letвЂ™s break down one scene from The Road Warrior (a.k.a. He is an exemplar of the вЂњshow, donвЂ™t tellвЂќ school of storytelling. Miller, through his action scenes and frequently with no dialogue, is able to impart story, character, and genuine emotion in a way that many of his peers can only hope to achieve. And thatвЂ™s the real trick to director George MillerвЂ™s film, and really the entire quartet of Mad Max movies.

#Mad max fury road motorcycles movie

Of course, Fury RoadвЂ™s chief draw is its intense action scenes and car chases, but thereвЂ™s much more to the movie than just crash-em-ups and вЂsplosions. ItвЂ™s much ado about Mad Max at the moment, with the fourth film in the series, Fury Road, opening last week to rave reviews and big buzz among genre fans.